Picture Study

As I've mentioned a few times recently, I am streamlining our homeschool, combining necessary tasks with the subjects we are studying The result of this is more free time, more room in our day to play and to add in extra lessons that we have not had much room for in the past. 

On of these new endeavors is Picture Study (or artist study later, but last month, just picture study). 

Charlotte Mason  recommended artist study as a critical part of a child's cultural education. We follow a Classical approach, inspired by both Charlotte Mason and The Well-Trained Mind. This year, I am prioritizing some of the studies that have fallen by the wayside in recent years, including artist study, composer study and Poet study .

Last month, we studied Conversational Japanese. Along with the study of the language, we read Japanese folk lore, from which we took our copywork and picture study. 

For this lesson, we read Kogi's Mysterious Journey.

                               

We chose our favorite picture. We studied it briefly, then I closed the book. Each child told me, in turn, what he remembered about the picture. I am always delighted to hear the differences in what they tell me. Their perceptions are all so unique.

Once we have all spoken, I reopen the book and we look again. Each child can point out what he spoke of that the other children did not see.

I show them different artistic elements in the picture. In this one, the impression of movement, the layering of color to create light and texture, story-telling elements of the picture, the dark outlines reminiscent of wood block printing. 

Now it's time to get into it. I laid out paper and water colors, and set up the open book for inspiration. I do not encourage the children to copy the picture. I instruct them to use the elements and style they see in the picture to create something of their own. Again, I get to see their unique perceptions and personalities shining through. 

During Picture study month, we do this about once a week (allowing for days out of the house, holidays, illness, other time constraints). Another day, we read a book illustrated in torn paper collage. They had a lot of fun recreating a burning rice field featured in Tsunami!. 

This simple practice has been a rewarding and enjoyable addition to our homeschool. 

Poetry Study and Dictation

We are expanding our poetry study. We have always had some loose poetry study, taking different forms over the years. Beginning now, and heading into next year (we have accomplished most of our goals for this year, so we're getting a head start on next year), I am formalizing our poetry study a bit. 

We will choose a poet to study every 3rd month or so. (Artists and composers get the other 2 months). This month, Sagittarius,11, has chosen Longfellow. 

We will read books about Longfellow, some background of his life and times, and of course, we will read and recite some of his works. 

I have spent much of this year streamlining our processes. I have found that prepared curricula includes a great deal of overlap. I am breaking down the tasks and working them in to existing parts of our day. Narrations aren't just for history. We can narrate anything we read. Copywork does not need to be a separate exercise. Copywork can be integrated into whatever we are reading together. 

What is copywork and why do we do it? In short, copywork and dictation teach the child what good writing looks like. Their eyes see it, their hands practice it, their memories cache it. When it's time for them to create their own work, they will have solid models and practice applying the rules in the proper way. Correct work will come naturally. 

What is copywork? Exactly what it sounds like. For little children, I write out a short passage-one or two lines-in a three lined notebook. I like ones with half of the page blank for illustrations.  The child then copies the piece exactly, in his best handwriting, with correct capitalization and punctuation. 

For the older child, a longer piece, wide- or college- ruled notebook, and additional exercises increase the challenge. He can copy directly from the text. Sagg does this on his own while I tend to younger children. 

For 4th grade or so onward, we add several forms of dictation. 

I have not read Brave Writer's Writer's Jungle or used her programs, but from reading her blog, and online discussions, as well as doing a bit of my own research, I have devised our own program. 

We all know that dictation is the writer writing what is read or spoken by the reader. Direct dictation is very useful in creating quality writing. But there are other forms of dictation which help the process along tremendously. 

Dictation goes both ways. A younger child dictates to the parent, who scribes the child's words, then reads them back to him (with appropriate editing). This allows even the youngest child to create written work, long before his mechanical skills will allow him to write. If he can read, he reads his words back to the parent, and sees how they should look on paper.

When the child takes dictation, he has read a passage, perhaps copied it. Then it is read to him, and he must recreate it perfectly. This is a challenging exercise. 

Reverse  Dictation is copywork in which the piece is presented in written form with no capitalization or punctuation. The child rewrites the piece correctly. 

French dictation is a similar exercise in which the piece is presented with missing words. Just a few at first, then more and more words missing until the piece is just a very bare framework. 

By this point the child is ready to recreate the whole passage from memory. I have found that Sagg can recite the piece by the time I'm ready to dictate it to me. Show off. 

Here's an example of how this process works. 

Day 1: We read the piece, select a passage, and copy it.
            Today we are reading The Children's Hour. I will have each child choose a short passage to copy. I will point out the nonstandard spacing, capitalization, and punctuation, as well as the possessive apostrophes. 

            "Between the dark and the daylight, 
              When the night is beginning to lower, 
              Comes a pause in the day's occupations,     
              That is know as the Children's Hour."

Day 2: Reverse Dictation
            For this verse, I will remind the child of possessive apostrophes and nonstandard capitalization. 

             "between the dark and the daylight
               when the night is beginning to lower
               comes a pause in the days occupations
               known as the childrens hour"

Day 3: French Dictation 
            "Between the ____ and the ____ 
              When the ____ is ____ to ____
              Comes a pause in the ____ ____
              Known as the ____ ____."

Day 4: Straight Dictation
             I read the passage to the child, and he writes it, perfectly and neatly, in his copybook. If there are mistakes, I prompt him to find and correct them. 

At this point, he is usually able to recite the verse. If he wishes to do so, I will encourage him to.

Dictation and copywork are ongoing in our homeschool, not just limited to poetry study. We use this process with literature as well. Exposure to a great variety of writing styles increases the children's writing vocabulary. I try to choose beautiful, meaningful, picturesque works for them to copy from. I allow them to choose the lines that move them. They often choose longer pieces than I would have given them. They enjoy this process much more than I would have expected.